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“500 Mirrors. John Giorno: A Conversation Between K. Allado McDowell and Marcus Boon“.  Mousse Magazine. April 2024.

“The Politics of Vibration”, Springerin, Spring 2023.

“Zillions of Things Become One Thing: An Interview with Catherine Christer Hennix”, The Brooklyn Rail, Sept/Oct. 2020. Part 1. Part 2.

“Catherine Christer Hennix: An Interview”, Blank Forms, No. 3 (2019).

“A Tribe Called Red“, The Wire, 423, May 2019.

“Liberation” (for the I Love John Giorno exhibition), Brooklyn Rail (July 2017).

“Moroccan Trance: A Primer”, The Wire, 397, (Mar. 2017).

“Sam Shalabi and Experimental Music in Cairo after Tahrir Square”, The Wire, 357 (Nov. 2013).

“Talking Dirty” in The Wire, 352 (June 2013).

“Music Appreciation: Drone” in Boing Boing (2012).

“Music Appreciation: Global Bass” in Boing Boing (2012).

“Collateral Damage: Marcus Boon” in The Wire 333 (November 2011).

“Kenneth Goldsmith” in BOMB 117 (Fall 2011).

“Epiphany/Vuvuzela” in The Wire 323 (January 2011).

“Shaking the Foundations: An Interview with Catherine Christer Hennix” in The Wire 320 (October 2010).

“Meditation Music” in The Wire 297 (November 2008).

“Tongue Dipped In Wisdom: An Interview with John Giorno” in BOMB 105 (Fall 2008).

“Ashram Lit” with Christie Pearson in Ascent Magazine 37 (Spring 2008). [pdf]

“Four Seismic Musical Events” in The Wire 277 (March 2007).

“FM3” in The Wire 268 (July 2006).

“Global Ear: Toronto” in The Wire 263 (January 2006).

“Philip Corner” in The Wire 244 (June 2004).

“Tim Hecker: Fishy Business” in The Wire 237 (November 2003).

“Sam Shalabi: The Matrix Imploded” in The Wire 233 (July 2003).

“Sarah Peebles: Electronic Bug Culture” in The Wire 231 (May 2003).

“Michael Snow” in The Wire 230 (April 2003).

“Global Ear: Marrakech” in The Wire 222 (August 2002).

“Ocean of Sound (Ocean of Silence): Siri Karunamayee talks to Marcus Boon” in Ascent Magazine 14 (Summer 2002).

“Ether Talk” in The Wire 220 (June 2002).

“12k” in The Wire 218 (April 2002).

“Mexico’s Sweet Gold” (March 2002).

“Jon Hassell: There Was No Avant Garde” in Hungry Ghost (January 2002).

“Charlemagne Palestine: Searching for the Golden Sound” in  Hungry Ghost (January  2002).

“Badawi: Tomorrow’s Warrior” in The Wire 215 (January 2002).

“Is There Music After 091101?” in The Wire 213 (November 2001).

“Henry Flynt: American Gothic” in The Wire 212 (October 2001).

“09:16:01 NYC” in Hungry Ghost (September 16, 2002).

“09:12:01 NYC” in Hungry Ghost (September 12, 2002).

“Pandit Pran Nath” in The Wire 211 (September 2001).

“An Interview with Sri Karunamayee” in Ascent (2002)

“Four Seismic Musical Events” in The Wire (2007)

“FM3” in The Wire (2006).

“Gamelan in the New World“, sleevenotes to the Locust reissue of their recordings.

“Meditation Music” in The Wire (2008).

“Mexico’s Sweet Gold“, unpublished (2002).

“Sublime Frequencies Ethnopsychedelic Montages“, in Electronic Book Review (2006).

“Global Ear Toronto: On Rat Drifting Records” in The Wire (2002)

“1970’s Algerian Proto-Rai Underground: A Review” in The Wire (2008)

“Akira Rabelais: Spellewauerynsherde” for Samadhi Sound (2004).

“Bird Show – Lightning Ghost: A Review” in Signal to Noise (2006).

“Black Mirror: Reflections in Global Musics: A review“, (early 2000s).

“Harold Budd’s Avalon Sutra: A Press Release” for Samadhi Sound (2004).

“Mix Tape: The Art of Cassette Culture: A Review” in The Wire (2005).

“Two Rat Drifting Recordings: On Eric Chenaux and Ryan Driver” in Signal to Noise (2008).

“David Toop – Sound Body: A Press Release” for Samadhi Sound (2007).

“Kenneth Goldsmith, Day: 2 Reviews“, unpublished.

“Derek Bailey – To Play“, a press release for Samadhi Sound (2006)

“DIY: The Rise of Lo Fi Culture“, book review, Signal to Noise (2007).

“Eccentric Soul: Mighty Mike Lenaburg and Good God! A Gospel-Funk Hymnal“, a review, The Wire (2007).

“Eliane Radigue – Mila’s Journey Inspired by a Dream“, a review, The Wire.

“Eric Chenaux – Dull Lights“, a review, The Wire (2006).

“Éthiopiques, Volumes 22 & 23: A Review“, The Wire (2008).

“Henry Flynt, Purified by the Fire: A Review“, in Signal to Noise.

“FM3 + Dou Wei, Hou Guan Yin: A Review“, Signal to Noise (2006).

“Give Me Love: Songs of the Brokenhearted – Baghdad, 1925-9: A Review“, The Wire (2008).

“Group Inerane – Guitars From Agadez“, a review, The Wire (2007).

“Georges Gurdjieff – Harmonic Development: The Complete Harmonium Recordings 1948-1949: A Review“, The Wire (2005).

“gysin copy”

“Haino review”

“Henry Flynt and Nova’Billy”

“jongibson”

“Josephine Foster – Hazel”

“Josephine Foster”

“Kasai Allstars”

“Kath Bloom and Loren Connors – Sing the Children Over”

“Lula Côrtes and Zé Ramalho – Paêbirú”

“Nimrod Workman”

“notaro chenaux”

“Orchestre Poly”

“osafrosambas”

“Pandit Pran Nath – Midnight”

“rappin”

“Richard Youngs and Alex Neilson – Partick Rain Dance”

“sad hits”

“Sam Shalabi”

“Sandro Perri”

“The Boredoms”

“The Dawn of Indian Music”

“The Reveries Matchmakers”

“The Silt – Earlier Ways of Wandering”

“Tsegué”

“Various – Streets of Lhasa”

“visonarystate copy”

“wada”

“WatersFIN“

“Aki Onda’s Wave Cultures” in the exhibition catalogue for Aki Onda’s retrospective exhibition, The Middle of the Moment, at The Substation, Melbourne, Australia, February 2025.

“In Praise of Copying and the Future of the Copy,” in The Routledge Companion to Remix Studies, 2nd edition edited by Eduardo Navas, Owen Gallagher, and xtine burrough (Routledge, forthcoming).

“The Visionary: Ayahuasca and its Aesthetics” in William S. Burroughs in Context ed.  Oliver Harris, Davis Schneiderman, and Alex Wermer-Colan (Cambridge University Press, forthcoming).

“Terry Riley: An Interview” in Terry Riley: Critical Perspectives, ed. Vincent de Roguin (Rennes, France, Shelter Press, 2024).

“Blotter A: Blue Dots. Big” in Blotter: the Art and Design of LSD on Paper, ed. Erik Davis (MIT Press, 2024).

“Vibration in Itself: Sound, Humanism and the Anthropocene”, OEI, 98-99, Aural Poetics issue, January 2023.

“The Sound of the Mandala” in In the Present Moment: Buddhism, Contemporary Art & Social Practice, ed. Haema Sivanasan (Art Gallery of Greater Victoria/Figure 1, 2022).

“Laudanum” in The Oxford Companion to Spirits and Cocktails, ed. David Wondrich et al (Oxford University Press, 2021).

“Catherine Christer Hennix, the Practice of Music and Modal Ontology” in Practical Aesthetics, ed. Bernd Herzogenrath (Bloomsbury, 2021).

“A place where the unknown past and the emergent future meet in a vibrating soundless hum: Thoughts on Energy and the Contemporary,” in Energy and the Arts, ed. Douglas Kahn (MIT Press, 2019).

“Towards A Taxonomy of Copying Practices in Museums” in Museum: A Culture of Copies, ed. Brita Brenna (Routledge, 2019).

“Depropriation” in Originalcopy: Post-Digital Strategies of Appropriation, ed. Franz Thalmair et al (University of Applied Arts, Vienna, 2018).

— reprinted in Radical Cut-Up: Nothing is Original, ed. Lukas Feireiss (Amsterdam, Sandberg/Sternberg Press, 2019).

“The Replication of Ideology: A Conversation Between Adrienne Shaw and Marcus Boon“, Journal of Games Criticism, 2016.

“On the Bowerbird, the Difunta Corea and Some Architectures of Sense: An Interview with Alphonso Lingis.” Scapegoat, Eros Issue, spring 2016.

“Between Scanner and Object: Drugs and Ontology in Philip K. Dick’s A Scanner Darkly,” in The World According to Philip K. Dick, eds. Alexander Dunst and Stefan Schlensag (Palgrave, 2015).

“Depropriation: The Real Pirate’s Dilemma” in Postcolonial Piracy, eds. Lars Eckstein and Anja Schwarz (Bloomsbury Press, 2015).

“Structures of Sharing: Depropriation and Intellectual Property Law”, Intellectual Property for the 21st Century: Interdisciplinary Approaches, ed. Madelaine Saginur, Teresa Scassa and Mistrale Goudreau (Irwin Law, 2014).

“From the Right to Copy to Practices of Copying” in Dynamic Fair Dealing: Creative Canadian Culture Online, eds. Rosemary Coombe and Darren Wershler, (University of Toronto Press,  2014).

“Meditations in an Emergency: On the Apparent Destruction of my MP3 Collection” in  Contemporary collecting: Objects, Practices and the Fate of Things, edited by David Banash and Kevin Moist (Scarecrow, 2013).

“One Nation Under a Groove? Music, Sonic Borders and the Politics of Vibration“, in Sounding Out! (Feb. 2013).

Review of Semblance and Event: Activist Philosophy and the Occurrent Arts in SCAPEGOAT: Architecture | Landscape | Political Economy 3 (2012).

“Digital Mana: On the Source of the Infinite Proliferation of Mutant Copies in Contemporary Culture” in Cutting Across Media: Interventionist Collage and the Politics of Appropriation, ed. Kembrew McLeod and Rudy Kuenzli (Duke UP, 2011).

“Erik’s Trip“, Introduction to Erik Davis’ Nomad Codes: Adventures in Modern Esoteria (Yeti Books, 2010).

“John Giorno’s Buddhist Poetics of Transgression” in The Emergence of Buddhist American Literature ed. John Whalen-Bridge and Gary Storhoff (SUNY Press, 2009).

“A Conversation: An exchange between David Sylvian & Marcus Boon” in Manafone (August 2009).

“Sound Commitments: Avant-garde Music and the Sixties: A Review” in Signal to Noise 54.3 (Summer 2009).

Introduction to Subduing Demons in America: The Selected Poems of John Giorno, ed. Boon (Soft Skull, 2008).

“On Appropriation” in CR: The New Centennial Review 7.1 (2007).

Introduction to Walter Benjamin’s On Hashish, trans. Howard Eiland (Harvard University Press, 2006).

“Sublime Frequencies’ Ethnopsychedelic Montages” in Electronic Book Review‘s music/sound/noise issue (2006).

“Philip Corner, Gamelan Son of Lion and ‘Gamelan in the New World” liner notes for The Complete Gamelan in the New World CD re-issue (Locust Music, 2004).

“The Eternal Drone” in Undercurrents: The Hidden Wiring of Modern Music  ed. Rob Young (Continuum, 2003).

“Dark Angels” in Hungry Ghost (2002).

“Naming the Enemy: AIDS Research, Contagion and the Discovery of HIV” in Cultronix 4 (1996).