The Korean edition was published by Hong C Communication, and translated with great diligence and care by Seungyoung Noh, who often seemed to know more about my book than I did.
The Indonesian edition was produced by the KUNCI Cultural Studies Center in Yogyakarta, making use of the Creative Commons license that the book was issued with in an interesting and to me exemplary way, producing an edition that is principally available as a free PDF via their website (much like the free PDF available from the Harvard website), as well as a print edition that is being distributed to community libraries across Indonesia. Ferdi Thajib of the group described the project as follows:
“We are a collective who since 1999 have been engaging in popular education approaches aimed at widening public criticality With this rather broad aim, our activities have revolved around the promotion of local knowledge production practices and functioning ourselves as a hub that connects academia, social activists, cultural producers and the public at large in meaningful encounters
Around one and a half years ago, we received funding from Ford Foundation Indonesia to initiate a project looking at issues of Media and Technology convergence, which includes a component of publication of translated books on cultures of sharing within the digital environment. That is how we became acquainted with Mr. Boon’s work. The whole project allows us to work on three books, namely: Lawrence Lessig’s Free Culture (which was published last year), the second one (if permission granted of course) would be In Praise of Copying, and the third installment would be Yochai Benkler’s The Wealth of Networks.
Our first reason for translating the three books is that they all provide key insights to explain what is going on in other parts of the world in regarding to issues such as copyright, copy culture, sharing culture, file-sharing, creative commons etc. – issues that are not new for us in Indonesia, but which have not received adequate critical discussion. This is not so much because of the lack of criticality per se, but more a matter if language barriers. We feel that the rapid development of vocabularies related to internet architecture and the radical changes it has brought to the cultural facets of everyday life has not progressed hand in hand with its better understanding in local settings; not only in daily situations, but also in legal/governmental/ policy making environments.
The second reason is related to the respective content of each book. The selection of In Praise of Copying is prompted by some of the ideas that Mr. Boon has brought up, especially in how he shed light on the entanglement of copying with various forms of cultural production and understanding across the globe. I personally believe that the philosophical take of Mr Boon on copying that crisscrosses the East and West binary may speak a lot to our potential readers here.
And another reason is the practical consideration of the licensing system used in circulating the work. As one of our goals is to educate people about the importance of sharing, most of the texts that we have produced and published are distributed under Creative Commons A-NC-SA, including the last publication of Free Culture in Indonesian.”
You can read Thajib’s analysis (with Australian media researcher Alexandra Crosby) of copyright, the commons and sharing networks in Indonesia here, and a more detailed analysis of these issues in relation to video activism in Indonesia in the media studies journal Platform. Thajib and Crosby’s work resonates in intriguing ways with the studies presented in the excellent Media Piracy in Emerging Economies report — and suggests an important set of emerging practices of open source sharing/distribution that utilize Creative Commons licensing — in emerging economies.