Politics of Vibration Launch Events

I’m a doing a series of events around my new book The Politics of Vibration in November and December.

I made a playlist of tracks and films related to the book for Duke’s blog — I also went into some of the ideas that the book explores, and I think it’s a useful primer for the whole project.

And I curated a mix of sounds related to the book for Seance Center’s excellent monthly NTS radio show — you can also listen to it on Soundcloud!

I did a wide ranging interview with Scott Stoneman for his Pretty Heady Stuff podcast — we got into everything from the sonics of bad breakups to Pharoah Sanders’ (RIP) recent recording with Floating Points.

I spoke at Goldsmiths’ Center for Sound Technology and Culture in London at the invitation of Julian Henriques, whose book Sonic Bodies and work on the rich vibrational ontology of sound system cultures was a major influence on my own writing.

And on November 12, I discussed the book and many other things with Siddhartha Lokanandi, owner and curator of the Hopscotch Reading Room in Berlin at silent green Kulturquartier for the Minor Cosmopolitanisms Assembly.

And soon I’ll post a discussion of the book that I had with writer, Expanding Mind podcast host, and all around countercultural sage Erik Davis.

The Politics of Vibration: Cover and Blurbs

This is the cover of my new book, The Politics of Vibration, which will be published by Duke UP in August. I think it looks great — and captures some of the complexity of musical/vibrational space that I explore in the book. Also wanted to share two of the splendid blurbs that were written for the book by Ben Piekut and Julian Henriques — I’m honored that they would write and think about my work! And below that there’s a link to the introduction to the book which you can read as a pdf.

“Marcus Boon models the perfect combination of rigor and imagination. In this daring and original book, he approaches vibration through mathematics, physics, and psychoanalysis to articulate an ontology of music based on space over time, frequency over duration, instantaneity over progression. The ease with which Boon pursues his ideas across experimental music, Indian classical singing, and recent hip-hop flashes an exciting glimmer of one future for music studies. With The Politics of Vibration, we are already there.” — Benjamin Piekut, author of Henry Cow: The World Is a Problem

“Vibrations change your life; vibrations make life. Marcus Boon explores the hidden practices of vibrations for an original and fascinating insight into the nature of musical experience. In a uniquely sensitive manner—personal and political and philosophical at the same time—he weaves his way through the pulsating energies of Indian classical singing, drone music, minimalist avant-garde, and chopped and screwed hip hop. Boon gives equal attention to the big names and the little known, as they meet in cosmopolitics between the global South and North.” — Julian Henriques, author of Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing

**You can read the introduction to The Politics of Vibration here!**

Speculative Approaches to Sonic Objects, Dancehall Style!

I have a new piece about sonic borders and boundaries in the excellent sound studies blog Sounding Out!, which is edited by my friend and colleague Jennifer Stoever-Ackerman.  As with a lot of my recent work about “the politics of vibration”, in this piece I try to think about what happens on a dancefloor in ontological terms and what it means to be able to access moments of ontological depth through bass, drums, speakers, partying bodies.  I look at the current revival of ballroom/voguing styles by artists like the fantastic Zebra Katz, and the way that some of the most interesting new hip-hop explores a strange. maybe speculative zone between Eros and violence on the one hand, and immersion in vibration on the other.

Politics of Vibration talk at McMaster, January 15!

Boon

Talk on Odd Future and the Politics of Vibration, SVA, NYC, Sept. 27

I’ll be giving a talk at the School for Visual Arts in Manhattan on Sept. 27th at 7 p.m. The talk will go into some of my recent work on vibrational ontology and what I call the politics of vibration, through an examination of some recent music videos, mostly by members of LA hiphop crew Odd Future.  Almost certainly including this one:

Mostly, we don’t think of music as a particular type or culture of vibration. I argue that hiphop, being a profound meditation on and mobilization of sound, is keenly aware of the dangers of pleasures of vibration, and that in different ways, artists like Azealia Banks, Tyler, the Creator and Earl Sweatshirt are making decisions about what a human relation to vibration could be. If you’re in the city, come down and listen ….