Group Inerane – Guitars From Agadez

Group Inerane – Guitars From Agadez
Sublime Frequencies LP
Guitars from Agadez is the second of two recordings of extraordinary electrified guitar music from various parts of the Saharan diaspora issued by Sublime Frequencies this year. Like Group Doueh’s startling Western Saharan fusions of Hendrix and Sahrawi music, Group Inerane will be filed under “ethnic” music, and indeed they are strongly related to traditional musics, in this case Touareg music from Agadez in northern Niger. But setting aside the trademark feminine north African ullulations which explode whenever things really get going, these disks sound not unlike vintage Sun City Girls — amplified, turbulent, complex, abstract while at the same time, hard and funky. In other words, as “modern” as anything made in Europe or America today.
Touareg guitar music was born when these nomads of the Sahara inhabiting a vast desert area spanning parts of Mali, Niger and Algeria were exiled to refugee camps in Libya during political unrest in the early 1980s. Amplified guitars, songs containing otherwise banned political commentary and bootleg cassette tapes became a cultural/political rallying point for performers such as Abdallah Oumbadougou, who also hails from Niger, and the better known Tinariwen, from north east Mali.
Those familiar with Tinariwen will recognise the sound here, but Hisham Mayet, who also made the terrific DVD of music from Niger released by Sublime Frequencies (which also features a performance by Group Inerane), gives a rougher, more lo-fi sound to the group, which threatens to distort and at times disappear entirely in ways that are refreshing after the slickness that still dominates “world music” recording.

Originally published in The Wire, 2007.

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